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Trash aesthetics : popular ...

Trash aesthetics : popular culture and its audience

Cartmell, Deborah,

Pluto Press 1997

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Monografía

monografia Rebiun14591209 https://catalogo.rebiun.org/rebiun/record/Rebiun14591209 961106s1997 xxk b 001 0 eng c 0745312020 0745312039 hbk.) CBUC 991028932889706706 DLC. C#P. EEM. UMA.HUM 791.43 Trash aesthetics popular culture and its audience edited by Deborah Cartmell ... [et al.]. London Chicago Pluto Press 1997 London Chicago London Chicago Pluto Press VI, 170 p. 22 cm VI, 170 p. Film/fiction 2 Taking the Extreme Case: Understanding A Fascist Fan of 'Judge Dredd' Martin Barker. -- Regendered Reading: 'Tank Girl' and Postmodernist Intertextuality Imelda Whelehan and Esther Sonnet. -- Readers Feminism Doesn't See: Feminist Fans, Critics, and Science Fiction, The Helen Merrick. -- Double Exposures: Observations on The Flesh and Blood Show Steve Chibnall. -- There's No Accounting For Taste: Exploitation Cinema and the Limits of Film Theory Paul Watson. -- Faecal Phantoms: Oral and Anal Tensions in The Tingler Mikita Brottman. -- Seducing the Subject: Freddy Krueger, Popular Culture and the A Nightmare on Elm Street Films Ian Conrich. -- Cinematic Novels and 'Literary' Films: The Shining in the Context of the Modern Horror Film Steve Cramer. -- 'It's Always 1895': Sherlock Holmes in Cyberspace Roberta Pearson Estética cinematográfica Cartmell, Deborah ed. lit

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monografia Rebiun14591209 https://catalogo.rebiun.org/rebiun/record/Rebiun14591209 961106s1997 xxk b 001 0 eng c 0745312020 0745312039 hbk.) CBUC 991028932889706706 DLC. C#P. EEM. UMA.HUM 791.43 Trash aesthetics popular culture and its audience edited by Deborah Cartmell ... [et al.]. London Chicago Pluto Press 1997 London Chicago London Chicago Pluto Press VI, 170 p. 22 cm VI, 170 p. Film/fiction 2 Taking the Extreme Case: Understanding A Fascist Fan of 'Judge Dredd' Martin Barker. -- Regendered Reading: 'Tank Girl' and Postmodernist Intertextuality Imelda Whelehan and Esther Sonnet. -- Readers Feminism Doesn't See: Feminist Fans, Critics, and Science Fiction, The Helen Merrick. -- Double Exposures: Observations on The Flesh and Blood Show Steve Chibnall. -- There's No Accounting For Taste: Exploitation Cinema and the Limits of Film Theory Paul Watson. -- Faecal Phantoms: Oral and Anal Tensions in The Tingler Mikita Brottman. -- Seducing the Subject: Freddy Krueger, Popular Culture and the A Nightmare on Elm Street Films Ian Conrich. -- Cinematic Novels and 'Literary' Films: The Shining in the Context of the Modern Horror Film Steve Cramer. -- 'It's Always 1895': Sherlock Holmes in Cyberspace Roberta Pearson Estética cinematográfica Cartmell, Deborah ed. lit