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Abstraction in Medieval Art...
Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of image from what it purports to represent, abstraction as a vehicle for signification, and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological
Monografía
monografia Rebiun30707618 https://catalogo.rebiun.org/rebiun/record/Rebiun30707618 m o d cr#cnu|||||||| 210208s2021 ne o 00 0 eng d 90-485-4267-7 10.1515/9789048542673 doi UPVA 998800787203706 UAM 991008149894404211 CBUC 991005088877806711 CBUC 991013162484406708 MdBmJHUP MdBmJHUP ne NL ARC005030 bisacsh 709.02 23 Abstraction in Medieval Art Beyond the Ornament Amsterdam, NETHERLANDS, THE Amsterdam University Press 2021 Amsterdam, NETHERLANDS, THE Amsterdam, NETHERLANDS, THE Amsterdam University Press 2021 1 online resource (386 pages) 1 online resource (386 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Frontmatter -- Table of Contents -- Acknowledgments -- Illustrations -- Preface: Withdrawal and Presence -- Part I Abstraction / Aporia / Unknowability -- 1. Colour as Subject -- 2. Abstraction's Gothic Grounds -- 3. Abstraction in the Kennicott Bible -- 4. Back-to-Front: Abstraction and Figuration in Bosch's Visions of the Hereafter -- Part II Abstraction / Figuration / Signification -- 5. The Painted Logos: Abstraction as Exegesis in the Ashburnham Pentateuch -- 6. The Sign within the Form, the Form without the Sign: Monograms and Pseudo- Monograms as Abstractions in Mozarabic Antiphonaries -- 7. Ornament and Abstraction: A New Approach to Understanding Ornamented Writing in the Making of Illuminated Manuscripts around 1000 -- 8. The Double-Sided Image: Abstraction and Figuration in Early Medieval Painting -- Part III Abstraction / Epistemology / Perception -- 9. Birds of Defiance: Jewelled Resistance to Modern Abstractions -- 10. Early Romanesque Abstraction and the 'Unconditionally Two-dimensional Surface' -- 11. Functional Abstraction in Medieval Anatomical Diagrams -- 12. Imaging Perfection(s) in Hebrew Illuminated Manuscripts -- 13. Response: Astral Abstraction -- 14. Coda: Carolingian Art As Conceptual Art -- Index Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of image from what it purports to represent, abstraction as a vehicle for signification, and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological ARCHITECTURE / History / Medieval Abstract, medieval, art, ornament, meaning Livres numeriques Electronic books Cohen, Adam S. contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Debiais, Vincent contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Denoël, Charlotte contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Gertsman, Elina contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Gertsman, Elina editor. edt. http://id.loc.gov/vocabulary/relators/edt Harris, Julie A. contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Joyner, Danielle B. contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Kessler, Herbert L. contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Kumler, Aden contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb McCall, Taylor contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb McNamee, Megan C. contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Mills, Robert contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Safran, Linda contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Smith, Danny contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Thebaut, Nancy contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Tilghman, Benjamín C. contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb Toussaint, Gia contributor. ctb. https://id.loc.gov/vocabulary/relators/ctb