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Kingdom of beauty : mingei ...
A Study of the Weatherhead East Asian Institute, Columbia UniversityKingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt's account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, min
Monografía
monografia Rebiun31599799 https://catalogo.rebiun.org/rebiun/record/Rebiun31599799 m o d cr cn||||||||| 080407s2007 ncua ob 001 0 eng d 841914539 1055295342 1148109842 1170198617 1170748451 1296545261 9780822389545 electronic bk.) 0822389541 electronic bk.) 0822339838 9780822339830 9780822340003 pbk. ; alk. paper) 0822340003 pbk. ; alk. paper) 9780822339830 AU@ 000055621235 UPCT u589412 00008251 NDD eng pn NDD OCLCA OCLCQ YDXCP OCLCQ SINTU E7B N$T OCLCF OCLCQ OCLCO MHW OCLCQ OCLCO OCL IOG INT BRX OCLCQ OCLCO OCLCQ OCLCO OL$ OCLCQ OCLCO BWN OCL VT2 JSTOR CUS LUN DEGRU SFB OCLCQ OCLCO OCLCQ OCLCO OCLCE OCLCO dlr a-ja--- ART 013000 bisacsh CRA 047000 bisacsh HIS 021000 bisacsh ART 015100 bisacsh Brandt, Kim author Kingdom of beauty mingei and the politics of folk art in Imperial Japan Kim Brandt Durham Duke University Press 2007 Durham Durham Duke University Press 1 online resource (x, 306 pages) illustrations 1 online resource (x, 306 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Asia-Pacific Includes bibliographical references (pages 277-292) and index Introduction -- One The Beauty of Sorrow -- Two The Discovery of Mingei -- Three New Mingei in the 1930s -- Four Mingei and the Wartime State, 1937-1945 -- Five Renovating Greater East Asia -- Epilogue The beauty of sorrow -- The discovery of mingei -- New mingei in the 1930s -- Mingei and the wartime state, 1937-1945 -- Renovating Greater East Asia Use copy. Restrictions unspecified star. MiAaHDL A Study of the Weatherhead East Asian Institute, Columbia UniversityKingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt's account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, min Electronic reproduction. [Place of publication not identified] HathiTrust Digital Library. 2022. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2022. HathiTrust Digital Library committed to preserve pda MiAaHDL Yanagi, Soetsu 1889-1961) Folk art- Japan Decorative arts- Japan Art, Japanese- 20th century World War, 1939-1945- Art and the war Art populaire- Japón Arts décoratifs- Japón Art japonais- 20e siècle Guerre mondiale, 1939-1945- Art et guerre 20.43 Japanese art ART- Folk & Outsider Art CRAFTS & HOBBIES- Folkcrafts HISTORY- Asia- Japan Art, Japanese Decorative arts Folk art Folk art- Japan Decorative arts- Japan Art, Japanese- 20th century World War, 1939-1945- Art and the war Japan Electronic books Electronic books works of art Art Art uvres d'art Print version Brandt, Kim. Kingdom of beauty. Durham : Duke University Press, 2007 9780822339830 (DLC) 2006037999 (OCoLC)76786688 Asia-Pacific e-Duke books scholarly collection