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""There can be no vaulting over time," thinks Urmila, the narrator of Shashi Deshpande's novel. "We have to walk every step of the way, however difficult or painful it is; we can avoid nothing." After the death of her baby, Urmi finds her own path difficult to endure. But through her grief, she is drawn into the lives of three very different women. As the stories of these women unfold, so does a tale of quiet courage and strength." "The first women Urmi is drawn to - her long-dead mother-in law, Mira - exists only in the notebooks she has left behind, discovered by chance in a dusty storage trunk. Mira's journals and poetry reveal the pain of a vibrant young woman trapped in an unhappy arranged marriage, and of a gifted writer whose work, because she is a woman, must remain shrouded is secrecy and silence. And then there is Kalpana, the survivor of a brutal rape and a young woman who has also been silenced. As she hovers between life and death in a hospital ward, Kalpana is watched over by her impoverished mother, Shakutai, with whom Urmi forms an unlikely bond of mutual comfort."--BOOK JACKET
Monografía
monografia Rebiun38008201 https://catalogo.rebiun.org/rebiun/record/Rebiun38008201 m o d | cr ||||||||||| 010420r20011993nyu ob 000 1 eng d 155861267X hardcover ;) alk. paper) INARC eng pn INARC OCLCO OCLCF OCLCA OCLCQ OCLCO INARC OCLCO OCLCL OCLCQ a-ii--- 823/.914 21 Deshpande, Shashi The binding vine Shashi Deshpande ; afterword by Sonita Sarker 1st Feminist Press ed New York Feminist Press at the City University of New York 2001 New York New York Feminist Press at the City University of New York 1 online resource (247 pages) 1 online resource (247 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 244-247) ""There can be no vaulting over time," thinks Urmila, the narrator of Shashi Deshpande's novel. "We have to walk every step of the way, however difficult or painful it is; we can avoid nothing." After the death of her baby, Urmi finds her own path difficult to endure. But through her grief, she is drawn into the lives of three very different women. As the stories of these women unfold, so does a tale of quiet courage and strength." "The first women Urmi is drawn to - her long-dead mother-in law, Mira - exists only in the notebooks she has left behind, discovered by chance in a dusty storage trunk. Mira's journals and poetry reveal the pain of a vibrant young woman trapped in an unhappy arranged marriage, and of a gifted writer whose work, because she is a woman, must remain shrouded is secrecy and silence. And then there is Kalpana, the survivor of a brutal rape and a young woman who has also been silenced. As she hovers between life and death in a hospital ward, Kalpana is watched over by her impoverished mother, Shakutai, with whom Urmi forms an unlikely bond of mutual comfort."--BOOK JACKET Female friendship- Fiction Infants- Death- Fiction Mother and child- Fiction Women- India- Fiction Grief- Fiction Amitié féminine- Romans, nouvelles, etc Nourrissons- Mort- Romans, nouvelles, etc Mère et enfant- Romans, nouvelles, etc Femmes- Inde- Romans, nouvelles, etc Chagrin- Romans, nouvelles, etc Female friendship. Grief. Infants- Death. Mother and child. Women. Mumbai (India)- Fiction India. https://id.oclc.org/worldcat/entity/E39PBJmdx47cDXrRhBXHtbvPwC India- Mumbai. Feminist fiction Feminist fiction. Fiction. Psychological fiction. Psychological fiction. Print version Deshpande, Shashi. Binding vine. 1st Feminist Press ed. New York : Feminist Press at the City University of New York, 2001 (DLC) 2001033369