Descripción del título
Theorizing colonial cinema ...
"Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past"--
Monografía
monografia Rebiun34337915 https://catalogo.rebiun.org/rebiun/record/Rebiun34337915 m o d cr unu|||||||| 210911s2022 inua ob 001 0 eng 2021031448 1269626002 9780253059765 electronic book) 0253059763 electronic book) 9780253059772 electronic bk.) 0253059771 electronic bk.) 9780253059741 hardcover) 9780253059758 paperback) AU@ 000069963316 22573/ctv22vdw62 JSTOR DLC eng rda pn DLC OCLCO OCLCF EBLCP YDX N$T OCLCO JSTOR ORU OCLCO TFW K6U OCLCQ P@U GGVRL pcc a------ PER 004030 bisacsh HIS 003000 bisacsh SOC 008020 bisacsh Theorizing colonial cinema reframing production, circulation, and consumption of film in Asia edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek Bloomington, Indiana Indiana University Press [2022] Bloomington, Indiana Bloomington, Indiana Indiana University Press 1 online resource (ix, 291 pages) illustrations 1 online resource (ix, 291 pages) Text txt rdacontent Still Image sti rdacontent computer c rdamedia online resource cr rdacarrier New directions in national cinemas Includes bibliographical references and index On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Ho Yong/Hinatsu Eitaro/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / José B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon "Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past"-- Provided by publisher Motion pictures- Asia- History Imperialism in motion pictures Colonies- Asia- Civilization Cinéma- Asie- Histoire Impérialisme au cinéma PERFORMING ARTS / Film & Video / History & Criticism. Colonies- Civilization. Imperialism in motion pictures. Motion pictures. Asia Electronic books Film criticism. History. Film criticism. Kwon, Nayoung Aimee editor Odagiri, Takushi editor Baek, Moonim editor Print version Theorizing colonial cinema Bloomington, Indiana : Indiana University Press, [2022] 9780253059741 (DLC) 2021031447 New directions in national cinemas