Descripción del título
The art of the text : visua...
The Art of the Text contributes to the dialogue of textual studies with visual culture studies by focusing on the processes through which writers think and readers respond visually. This volume's contributors apply their backgrounds in literature, screen, and visual studies, to explore the visuality of the literary and nonliterary text with a sustained focus on French works of the late nineteenth and twentieth centuries. Visuality is appraised here, not as a state, but as a means of adaptation, resistance, negotiation, and transformation. In the process of reading visually, the contributors offer new insights on visual-textual relations in canonical texts drawn from romanticism, naturalism, surrealism, and high modernism, and across a range of media, from film, textiles, and television, to fan literature and picture language
Monografía
monografia Rebiun39550629 https://catalogo.rebiun.org/rebiun/record/Rebiun39550629 m o d cr |n||||||||| 131123t20132013wlka ob 001 0 eng d GBB6H8531 bnb 880172154 1087350573 1124294210 1355046722 9780708326602 electronic book) 0708326609 electronic book) 9781783165797 electronic book) 1783165790 electronic book) 9780708326596 hardback) 0708326595 hardback) AU@ 000054196453 NZ1 15490547 UKMGB 017672655 UKMGB 020825605 22573/ctt8xjd98 JSTOR EBLCP eng rda pn EBLCP OCLCO OCLCQ N$T E7B OCLCO OCLCF OCLCQ YDXCP JSTOR OCLCQ OCLCO OCLCQ OCL OCLCQ AGLDB QGK JBG IOG U3W EZ9 STF OCLCQ VTS UKMGB OCLCQ LVT DKC OCLCQ UKAHL OCLCQ WAU OCL OCLCO OCLCQ OCLCO WAU OCLCL OCLCQ CLOUD OCLCO OCLCQ OCLCO OCLCQ OCLCL OCLCQ LIT 004150 bisacsh LIT012000 bisacsh ACV bicssc ACX bicssc DSBH bicssc DSBF bicssc 840.9/007 23 https://id.oclc.org/worldcat/ddc/E47mVDdhDmMDVhGG73gJcmKpgc The art of the text visuality in nineteenth- and twentieth-century literary and other media edited by Susan Harrow Visuality in nineteenth- and twentieth-century literary and other media Cardiff University of Wales Press 2013 Cardiff Cardiff University of Wales Press 2013 1 online resource (xvii, 235 pages) illustrations 1 online resource (xvii, 235 pages) Text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in visual culture Includes bibliographical references (pages 221-232) and index Introduction / Susan Harrow -- I. Thinking the visual image. Jules Verne : the unbearable brightness of seeing / Timothy Unwin -- Affinities of photography and syntax in Proust's À la recherche du temps perdu / Áine Larkin -- Portraits and neologisms : understanding the visual in Henri Michaux's 'Voyage en Grande Garabagne' / Nina Parish -- The 'trou noir' : visualizations of nihilism in Nietzsche and Modiano / Jenny Devine -- II. Intermedial migrations in the 1920s. Painting and cinema in Aragon's Anicet / Katherine Shingler -- Isotypes and elephants : picture-language as visual writing in the work and correspondence of Otto Neurath / Michelle Henning -- Colette : an eye for textiles / Anne Freadman -- Stars as sculpture in the 1920s fan-magazine interview / Michael Williams -- III. Visual negotiations and adaptations. Victor Hugo and painting : the exceptional case of the Orientales / Karen Quandt -- Visions and re-visions : Zola, Cardinal and L'OEuvre / Kate Griffiths -- Donner à voir : poetic language and visual representation according to Paul Éluard / Peter Hawkins -- 'La lettre au cinéma n'est pas une excellente solution' : a heteromedial analysis of Chantal Akerman's Proust adaptation / Jrgen Bruhn The Art of the Text contributes to the dialogue of textual studies with visual culture studies by focusing on the processes through which writers think and readers respond visually. This volume's contributors apply their backgrounds in literature, screen, and visual studies, to explore the visuality of the literary and nonliterary text with a sustained focus on French works of the late nineteenth and twentieth centuries. Visuality is appraised here, not as a state, but as a means of adaptation, resistance, negotiation, and transformation. In the process of reading visually, the contributors offer new insights on visual-textual relations in canonical texts drawn from romanticism, naturalism, surrealism, and high modernism, and across a range of media, from film, textiles, and television, to fan literature and picture language Susan Harrow is the Ashley Watkins Professor of French at the University of Bristol, UK. She is the author of Zola, the Body Modern: Pressures and Prospects of Representation and The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Réda Visual literature Visual perception in literature Art in literature French literature- 19th century- History and criticism French literature- 20th century- History and criticism Littérature concrète Perception visuelle dans la littérature Art dans la littérature Littérature française- 19e siècle- Histoire et critique Littérature française- 20e siècle- Histoire et critique LITERARY CRITICISM- European- French. LITERARY CRITICISM- Reference. Art in literature. French literature. Visual literature. Visual perception in literature. Literary criticism. Criticism, interpretation, etc. Literary criticism. Critiques littéraires. Harrow, Susan editor. https://id.oclc.org/worldcat/entity/E39PCjKWcf3yHdjyFtQWGfxKwK Print version Art of the text. Cardiff : University of Wales Press, 2013 9780708326596 (OCoLC)832605628 Studies in visual culture (Cardiff, Wales)